Feature Film Jury

Attila Szász

Attila Szász After a successful career as an award-winning commercial director, Hungarian filmmaker Attila Szász has made a name for himself at the helm of critically acclaimed period dramas including the noirish post-WWII thriller "Tall Tales", the romantic World War II drama "Eternal Winter", the 1910s erotic psycho-drama "Demimonde" and the 1950s political thriller "The Ambassador to Bern".

His films have collectively garnered over 100 awards including an International Emmy.

His most recent work, the ten-hour medieval series "Rise of the Raven", one of the most epic Central European television productions to date, debuted this year with smashing success.

Eggert Ketilsson

Eggert Ketilsson Eggert Ketilsson was born on December 23, 1958, in Reykjavik, Iceland. His father, Ketill, was a master auto mechanic, and his mother, Margret, worked as a caterer. He has four siblings—two older sisters and one older brother. After completing a general education, Eggert left college to begin working and traveling abroad. He spent ten years working and traveling, primarily across Europe but also in parts of Central Asia. From 1986 to 1989, he was a member of the Icelandic Theater Workshop, where he acted and also contributed to stage design.

In 1989, he joined the Icelandic Broadcasting Service (state TV) as a Property Master, a position he held consistently for five years. Following this, he received his first opportunity to work on an independent feature film as both Property Master and Special Effects Supervisor for the Icelandic movie Devils Island, directed by Frederik Thor Fredriksson. At that time, Property Masters in Iceland were often expected to handle both special effects and art department responsibilities.

After working for a decade in the Icelandic film industry, Eggert enrolled at the Northern Film School in Leeds, UK, where he earned a postgraduate degree in Production Design. In 2002, he designed his first feature film, 1.0 Paranoia (released in 2004), which was shot in Romania, followed by his second feature, Drum, filmed in South Africa a year later.

Since then, Eggert has worked on numerous international feature films in roles such as Art Director and Special Effects Supervisor. His film credits include major productions like Tenet, Dunkirk, Interstellar, Batman Begins, Star Wars, James Bond, Transformers, Odysseus, and many others.

Most recently, he completed work as Special Effects Supervisor on Christopher Nolan’s Odysseus, overseeing the filming in Greece and Iceland.

Sabine Hviid

Sabine Hviid Sabine Hviid is a Danish born Production Designer. Educated in UK from The National film & Television School with a MA from Royal College of Art, she has designed a variety of films and tv productions home & abroad. She loves moving between different genres wether it be kitchen & zink realism, horror or period.

Most recently she designed the Cli-Fi Saga by Thomas Vinterberg “Families Like ours” and the Beauty Horror film “The Ugly Stepsister”.

Aside from her design work, she has been working in radio creating narrative sound pieces about memory and spaces, which is something she brings back into her film work methodology.

Imola Láng

Imola Láng Imola Láng is one of the most sought-after production and set designers in contemporary Hungarian filmmaking.

She is known for her work on such memorable productions as On Body and Soul, directed by Ildikó Enyedi and awarded the Golden Bear; the HBO Max series The Informant, which became one of the most popular Hungarian shows among the younger generation; and The Grandson, a feature film by Academy Award-winning director Kristóf Deák. Imola Láng was also behind the design of one of the most successful Hungarian films of 2023, Lesson Learned, which captivated audiences with its striking visual world.

In her films, the set is never just a backdrop-it is always an organic part of character and story development.